Including the reopening of David Geffen Hall,Medeaat the Met, and work by Tyshawn Sorey.
Save this article to read it later.
Find this story in your accountsSaved for Latersection.
Black and women composers are getting long-deferred exposure.
Musicians are telling their own stories through tailor-made multimedia performances.
Some of that reinventive energy may dissipate in misconceived or drably political projects.
Much of it builds on the work that doggedly innovative presenters and musicians have been doing for decades.
Mask requirements, or lack thereof, may alienate audiences.
Opera remains frighteningly expensive and arduous to sell.
New Yorks joyous sonic jangle is back.
One year later, Morton Feldman celebrated it with a composition.
Now, 50 years after that, Tyshawn Sorey has composed and performed a new work to honor both.
Conductor Keri-Lynn Wilson makes her Met debut.
In his ultranimble hands, you feel the sun glinting off Schumann and sense the gear works in Chopin.
At 80, Pollini returns to Carnegie Hall after an absence of more than three years.
Igor Levit
Carnegie Hall, October 18The constantly self-challenging pianist performs all 24 of ShostakovichsPreludes & Fugues.
With Attacca Quartet, Sandbox Percussion, and cellist Jeffrey Zeigler, conducted by Mei-Ann Chen.
Their successor is Mirga Grazinyte-Tyla, joined for the Elgar cello concerto by soloist Sheku Kanneh-Mason.
(The soloists are Maria Duenas for the first and Anne Akiko Meyers for the second.)
Oh, yes, and a couple of meaty symphonies, too: Mahlers First and Coplands Third.
7 and one of the virtuosically colorfulUnstuck, by the kinda-sorta-Mahlerian American composer Andrew Norman.
Mezzo-soprano Joyce DiDonato and sopranos Renee Fleming and Kelli OHara are in the three main roles.
Emanuel Ax injects some lightheartedness with Beethovens Piano Concerto No.
Junction Trio
Washington Irving High School, December 3Elite and elitist dont have to be the same.
Ticket prices are reminiscent of Horn & Hardart days.
Thank you for subscribing and supporting our journalism.
