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However, critical reaction to Camerons variable frame rate … varies.
Others find the plot overly familiar and the dialogue rote.
But, more important, Cameron hasnt lost the ability to convey his dorky-sweet enthusiasm to the audience.
David Ehrlich, IndieWire
Maybe Cameron reacquainted himself with the work of Sam Raimi.
Maybe hes drinking from the same cup asS.S.
Rajamouli, who made the magnificent, absolutely ludicrousIndian importRRR.
Its as if Cameron has moved to Pandora forever and brought everything he cares about.
(Hes also clearly never leaving.)
Brian Tallerico, RogerEbert.com
Cue another immersive, action-packed adventure, but this time with a more nuanced message.
This is sharp, considered storytelling.
The move from land- to sea-based existence is the way a new film was created.
But the sea world is imagined with a lot of cliche.
Finding Nemo was more vivid.
These are not people but poster girls either of bliss or pain.
And so their emotional journeys feel hollow, even as we can see their worlds falling apart.
Thats clearly true for Cameron, but he should speak for himself.
Liz Shannon Miller, Consequence