Save this article to read it later.
Find this story in your accountsSaved for Latersection.
Welcome to Chippendalesspans two decades and two coasts in its tale of greed and banana hammocks.

Executive producer Jenni Konner credits the music supervisors for the fact that the show never bleeds into pastiche.
They know what theyre doing.
And then as the show progresses … it gets more electro, freestyle kind of stuff.
Siegel and De Jesus, who plays Ray Colon, are huge freestyle fans.
It was a key in of club music.
Somewhere in the 90s, it kind of died off.
Siegel name-dropped Stacey Q, Expose, and Shannons Let The Music Play as freestyle touch points.
But as the show descends into the gorier part of the story, the needle drops get darker too.
Theres some Depeche Mode, some Bauhaus, some more goth stuff, Siegel said.
It covers a pretty wide spectrum.
It feels timeless, he said of the classical-music approach.
You hear the 80s, but theres a larger epic saga.
He said editing was one of the best parts of the wholeWelcome to Chippendalesexperience.
Its also helpful, he said.
Its not that this guy doesnt feel, its that he doesnt want to feel, Nanjiani said.
What better way to make someone feel what they dont want to feel than with music?