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But its also about, well, driving a car.

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But Misaki is far from the only chauffeur to figure prominently in Academy Awardnominated films.

But who, from that field, would actually do a good job as a driver?

And, perhaps more importantly for these films, would they improve the lives of their passengers?

Lets take a moment to rank some of the most notable wheelmen and wheelwomen from Oscar-nominated movies.

:In the sense that they get where theyre going, sure.

:Decidedly not.Oscar nominations:Best Adapted Screenplay.

He probably shouldnt expect much of a tip.

So not great.Customer satisfaction:On the other hand, no one really has any complaints about his performance.

And dont you want a limo driver who knows how to party?

Okay, dont hire Earl.

)Do they improve their passengers lives?:Questionable.

But he doesnt seem tohurttheir lives, unlike some drivers on this list.Oscar nominations:Best Director.

Tony and Don become friends.

Tony learns a thing or two about race.

Don doesnt have to spend Christmas Eve alone.

:Over their many years together, Hoke learns how to read and other skills from Miss Daisy.

But Miss Daisy learns from Hoke.

In fact, making Miss Daisy a better person seems to be the main reason he exists.

That has, understandably, made this film a target of criticism since its release.

But hey, thats not Hokes fault.

Tending to Ricks ego.

Fixing the roof of Ricks house.

But its certainly a successful partnership.Do they improve their passengers lives?

:Improve probably isnt the right word, either.

And, most likely, some unspoken reasons specific to Misaki related to her being a young woman.

Misaki does this without complaint.

These are VIP drivers.

Theyre just not really central to the action.