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I cant remember when I started watchingFrenemies.
We dont discover things anymore.
Things are just quietly planted in our line of sight, where one day, maybe, we bite.
The frenemies are not necessarily likable.
I showed up to theFrenemiesbandwagon just in time to watch it peel off a cliff.
I dont know who the aggressor is here.
Both parties have made solidpoints; both parties are making themselves out to be innocent and aggrieved.
The more we hear, the muddier things get.
Trisha is a force of nature, and Ethans immovable when he thinks he holds the more principled take.
You hate to see a good bridge burn.
Paytass catalog is impressively strange.
They started out as a covers artist with almost disconcertingly wide-ranging tastes.
2016sShowtimeis a pleasant batch of EDM-friendly post-Britney pop.
Trish might serve you a reverentChristmas song, a faithfulBritney cover, or a pridefully gauchetakeon 80s gangsta rap.
This is not to sayTrigger Warningis a great EP, necessarily.
The nonbinary pride jam They is timely and empowering.
Tragic Story of the Hollywood Blonde is sweet and affecting.
Wall to Wall is incredibly catchy.
Thats a net positive for one of us, right?
