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In that sense,Hollerfeels like both a throwback and an elevation.
You ever looked around this town?
Manufacturing drying up left and right, leaving behind whole buildings that are just rotting away.
We scrap the metal and we sell to China, straight from the yard.
Im talking modern-day gold mines.
Riegel presents this drab, cold-blue landscape of steel and concrete with poetic clarity.
Theres a forbidding beauty toHoller, too.
I realize Im making the film sound too bleak and downcast.
In truth, its almost impossible to be too depressed by a movie this immersive.
It marks the arrival of a major new directorial talent.
