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The Smith kids seem preternaturallybased, like callbacks to a storied brand of sophisticated bohemian.
Willow Smithis an oddity in music, and not just because of the pedigree.
Shes only 20, but she has been releasing music on Roc Nation for over a decade.
Willow took a few roles but appeared to lose interest.
Willows tracks feel less like formal songs and more like private conversations, diary entries, and stray thoughts.
It is good but perhaps strange for this stuff to exist on a major label.
Its not overtly commercial.
It typically doesnt impact charts or radio.
You could argue that this is a story of great connections paying off.
Your average layperson doesnt have the luxury of honing their craft on Jay-Zs watch.
Shes been whittling her way toward tighter songcraft for the last five years.
These songs are focused on overcoming anxiety and self-doubt and learning to love yourself through mistreatment from others.
(Incidentally, the more precious the writing feels, the more it resembles peak alternative rock.)
Whatlatelyhas that so much in its company lacks is an easy and comfortable queerness.
Its possible Willow Smiths music is just a few key tweaks away from greatness.
(Maybe opening for Billie Eilish on theHappier Than Everworld tour next year will provide the necessary spark.)
The (Smith) kids are all right, anyhow.
Maybe its just the security that millions can buy, a posh pipe dream.
