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It is, of course, a map of Idaho.
On stage, we get the writers midwestern miniature; in the foyer, his husbands wide-horizon portrait.
Because its Idaho, because its America, because its roughly now the state of things is normalized precarity.
Keith patiently explains debt-to-income-ratio problems to Ryan, or Ryan vents about his divorce and custody arrangements.
Most of us realize that in college.
But you either play by the rules and pretend it all means something, or you dont get anything.
Thats most of what being an adult is.
Should we think about the ways in which a mortgage broker is a kind of intercessor?
Or that harrowing can also refer to liberating souls from Hell?
He winds up considering the passage of time itself.
(We should have known from that first chronological slipper-slide that Hunter was thinking about it.)
Ryan, drunk, sleeps through it, but were leaning forward.
We know exactly what Hunter is doing.
Hes demonstrating how he gets his sacred effects, one melodic line at a time.
A Case for the Existence of Godis at the Signature Theatre through May 22.
